New ‘Star Trek’ Movie is Bland, Not Bold

Kirk is a playboy, Spock is tortured and everyone sounds like they're reading from a script.

by | May 7, 2009

As a reset for Paramount’s popular series, the new Star Trek movie, opening this weekend and directed by J.J. Abrams, is disappointing. The original NBC television series was an intelligently written program which put highly individualized characters into often philosophically driven plots and this effort doesn’t come close to measuring up. That said, at least Star Trek has a coherent plot, which is rare. There are no major missteps.

The plot is formulaic, characters are too broad, and the conflict is the stuff of cable reruns. Playing in IMAX theaters (where I saw it), Star Trek contains the requisite action and plot progression but it doesn’t have what it takes for a franchise reboot.

Previous movies are mixed, but the TV series kept things simple, with the bridge of the U.S.S. Enterprise as the focal point, her international crew poised for action in a clear hierarchy and conflict resolution as the primary plot purpose. Here, we get twin tracks of expository set-up–Kirk and Spock–and it takes too long, wanders too wide, and emphasizes personalities instead of developing dramatic tension. The Enterprise is an egalitarian gathering place where the crew stands around trying to rule by consensus.

Kirk is a playboy, Spock is tortured and everyone sounds like they’re reading from a script. The character Uhura is expanded at the expense of Bones. Sulu, Chekhov and Scott are all there (Sulu fares best) and Bruce Greenwood is added as Kirk’s mentor. Some scenes, such as an elevator scene with Spock, are well done, but soon it’s back to the banal. Overbearing music, jerky camera shots, and a Jurassic Park rip-off burden the heavy load and it is hard to get excited about an evil Romulan–who, it is implied, has a point–on the warpath. Finally, Star Trek urges us to abandon reason and act on faith, a bad message you can get from any TV preacher or member of Congress (and, with both advocating religious statism, it’s hard to tell them apart). Many readers are going to see it anyway, but the new Star Trek, while not a bust, is as blurry as its poster.

Scott Holleran interviewed 2025 Carnegie Hero medal recipient Henry Reese, whom Salman Rushdie credits with saving his life from a radical Islamic assassin. Mr. Holleran wrote the Western Pennsylvania Press Club’s Best Sports Journalism award-winning “Roberto Clemente in Retrospect” in 2021 and his short story “Boom-Boom Goes to Jail” won a 2025 Col. Darron L. Wright Memorial Writing Award prize. Scott Holleran’s first book, Long Run: Short Stories: Volume One, a collection of 16 previously published short stories, features a foreword by Shoshana Milgram, Ph.D. Scott Holleran lives in the San Fernando Valley, where he’s writing his first novel, Speakeasy, choreographing dance and coaching weight loss.Read his non-fiction at ScottHolleran.substack.com. Follow and listen to him read his fiction aloud at ShortStoriesByScottHolleran.substack.com

No spam. Unsubscribe anytime.

The views expressed above represent those of the author and do not necessarily represent the views of the editors and publishers of Capitalism Magazine. Capitalism Magazine sometimes publishes articles we disagree with because we think the article provides information, or a contrasting point of view, that may be of value to our readers

Share